
Geometry in Nature: The DNA of Design

Artists of the East Village / Lower East Side — ARTS – COMMUNITY – ENVIRONMENT

@ 621 East 11th St. NYC

| All Tomorrow’s Gardens A Celebration of NYC Community Gardens Presented by EV Gallery 621 East 11th St. NYC August 4-13, 2023 Curated by George Hirose & Kerri Lindström Opening Reception: August 4, 6-9pm Special Performances: 6:45pm Adam Ende / Jawbone Puppet Theater “The Turnip 7pm Rude Mechanical Orchestra With Sidewalk Tape Art Installation by Kuki Gomez Featuring work by Vera Alexandrov, Nora Balaban, Lois Bender, Melinda Billings, Elisa Blynn, Leilah Cohen, Carla Cubit, Lane Diko, Eileen Doster, Joan Dworkin, Carmen Einfinger, Adam Ende, Kyle Ericksen, Kuki Gomez, Ken Hiratsuka, Ryoko Hirose, George Hirose, @mx.enigma, Aresh Javadi, MJ King, Michael Koster, Elizabeth Kresch, Sally Lelong, DD Maucher, Joan Elizabeth Meyer, Esther Mizrahi, Bill Morrison, Laurie Olinder, Rochelle Pashkin, Gilda Pervin, JenniferPodIsDead, Rolando Politi, Daniel Polnau, Carolyn Ratcliffe, Reynolds, Daniel Root, Bonnie Rosenstock, Lee Ruelle, Nick Savides, Annie Shaver-Crandell, Marie Suchan, Gretchen Van Dyk, Margie and Jenny Wardlaw – CashmerePunk, Lili White, Sally Young, Felicia Young, Donna Zimmerman Hours Thursdays 5-8 Fridays 5-8 (Opening Friday until 9) Saturdays 1-6 Sundays 1-6 (Closing Sunday until 7) This exhibition honors the past, present and future of one of NYC’s vital resources, our community gardens. The modern age of urban community gardening began in the 1970’s and 80’s. These gardens grew out of burnt out and abandoned lots after years of neglect, quite often due to the purposeful destruction of properties by unethical landlords. In marginalized areas of the city, people banded together to reclaim unused land for the betterment of their communities. They created beautiful and safe spaces for children to play and learn about nature, and for neighbors to plant, grow a garden, and gather together. Every year there are hundreds of events, educational workshops, and food distribution initiatives in the many gardens that dot our urban landscape. Community gardens by nature are activist spaces and the fight continues to protect and preserve these spaces that are constantly under threat by urban development. This show is an artisticexploration and expression to celebrate what is possible through solidarity, commitment and love. “ALL TOMORROW’S GARDENS” is co-sponsored by LUNGS (Loisaida United Neighborhood Gardens) and Art Loisaida Foundation inquiries: george.hirose@gmail.com or 917-833-8123 |
| Inquiries: george.hirose@gmail.com. |
June 21 – August 18, 2023


February 13 – April 17, 2023

Ryan John Lee is a photographer/filmmaker based in New York City. He is a longtime resident of the East Village.
Street photography is a lifestyle, with my camera as a silent, omnipresent partner. I approach street photography in two ways: hunting and waiting. I hunt for potential moments and respond accordingly to photograph their image. Additionally, I wait for ideal photographic scenarios (a beam of light, an interesting composition), and I linger until a subject approaches and interacts–sometimes for hours.
These ten photographs represent hunted or anticipated moments I’ve been fortunate enough to capture. They depict the subjects I’ve encountered in both everyday life and while traveling. Some are humorous or touching, while others are heartbreaking. I hope these images transform the ordinary into something more magical. I strive to highlight the calm within the chaos of the urban landscape.
November 28, 2022 to January 28, 2023

September 10 – November 25, 2022


TNC Gallery: Artists Embrace Liberty & Justice May 15 – June 30, 2022 EXTENDED THROUGH SEPTEMBER 25, 2022






For more information you can contact Carmen at carmeneinfinger[at]gmail[dot]com


A Thin Green Line was a community gardener’s project in 2000. It was developed and written by an Artistas de Loisaida collaborative. Diana Signa Klein, James Jiler, Pam Pier, Carolyn Ratcliffe and Sylvia Syracuse. It was presented at the American Community Garden Coalition at Columbia University in 2001. This project was made possible from the Manhattan Community Arts fund, the City of New York Department of Cultural Affairs and Citizens Committee of New York City.
This project is currently being revisited as a publication in the near future.

This show presents 10 mixed media pieces of the New York based multidisciplinary artist, Anna Pasztor. Her work is abstract and inspired by everyday life and current events.
Even if she has a predisposition towards abstract forms of expression – as she is a former choreographer, many of her pieces have a narrative structure.
Four of the larger works were created during the previous presidency and they are creative reflections of some of the topics discussed widely at the time, such as misogyny and the separation of children.
The smaller pieces were created after the COVID pandemic started.
In April of 2020 she joined the NowNetArts LAB group. This group consisted mainly of musicians and sound artists. She provided visual materials during the group’s weekly public, live
presentations on Zoom. During these presentations she performed live painting and projected her videos. After the presentations ended, she continued painting the pieces, prolonging and transforming the original rhythms and textures that had generated the initial versions. That’s how the “Music Improvisation” series was born.
I am a multidisciplinary artist currently working on mixed-media and interactive multimedia projects. I was born and raised in Budapest behind the Iron Curtain. My involvement in the arts started through theatre. As a former performer, I am never completely detached from my imaginary audience. At first, I have an analytical approach to narrative structures, an attitude originated by my academic studies in literature. However, I tend to express myself in a more abstract way by rhythms and textures – an obvious reminiscence of my former life as a choreographer. Living in different cultures increased my predilection for mixed forms of expression. I am constantly searching for my own artistic language that I find meaningful in the context I live in.
Theater gave me the key to understanding how to dissect human relationships. Dance helped me to come within reach of the abstract meaning of creative work and the infinite ways to present the human body. I have always been eclectic, enjoying, and mixing together apparently mismatching peoples, meals, music, and films finding in them the occult possibility, and secret longing for unification. I am seduced by the infinite possibilities of digital work. At the same time, I need to return to work in real space with real materials as I miss that sensory experience. Hence, my process goes through several artforms sometimes in the same project.
Being an immigrant, the “Other” since I left Budapest in 1991, has certainly influenced my vision about the human condition.
Anna Pasztor